Services · Website development · Video streaming websites
Codeeo offers video streaming website development Dubai media owners use to put their library on the open web: a fast browser viewing platform, title pages that rank in search, a catalogue in Arabic and English, and the editorial CMS behind it. We build for channels, studios in Dubai Media City and Dubai Studio City, event organisers and education publishers who want viewers to discover a show on Google, press play on a laptop or smart TV browser and come back for the next episode.
This is the website and web player side of a streaming business. Native phone and TV apps are a separate project, and so is the paywall: if you plan paid tiers, we design the site so a membership layer plugs in later without new templates. Keeping the public site free to browse at first also lets search engines index the catalogue before anything is locked away.
200+ companies servedFrom a first store to an ADX listed developer
What the website includes
A streaming website does two jobs at once. For a new visitor arriving from a search result or a shared link, it is a shop window that has to explain what you show and get them watching in a couple of clicks. For a regular viewer, it is the place they open on a laptop at the end of the day to continue a series. Most failures we see come from treating it only as the second job, which leaves hundreds of titles invisible to search engines and social previews.
Our video streaming website design Dubai work covers both. Every title, season and episode gets a real, indexable page with its own description, artwork and structured data, and the player sits inside that page rather than behind a script that crawlers cannot read. The list below is the usual starting point, adjusted to your library and rights, and some items move to a second release when the library is still being catalogued.
Server rendered pages for each film, series, season and episode, with VideoObject structured data, synopses written for people, cast and genre links, and clean URLs in both languages. Open Graph tags give every shared link a proper thumbnail on WhatsApp and X.
Search engines and social apps can see your whole library.
An HTML5 player using HLS or DASH that adjusts quality to the connection, remembers where a viewer stopped, supports chapters and keyboard controls, and handles subtitle and audio track switching. DRM is added where your licences require it.
Viewers press play and the video starts without a plugin.
Separate Arabic and English interfaces with right to left layouts, translated metadata and hreflang, plus subtitle files in the languages your audience watches in, which in Dubai often means Hindi, Urdu or Tagalog alongside the two main ones.
Each audience browses in its own language and script.
Editors publish titles, build rails such as new this week or Ramadan picks, schedule premieres and set expiry dates that remove a title when its licence window ends. Metadata, artwork and subtitles are uploaded once and reused everywhere.
Your team runs the front page without a developer.
Per title availability by country and date, enforced at the video delivery layer, not just hidden in the interface. A title cleared only for the GCC shows a clear message elsewhere instead of a broken player.
You stay inside the terms of every licence you signed.
Landing pages for upcoming streams with a countdown, add to calendar links and a player that switches to live at the scheduled time, then converts to a replay page once the event ends. Built for conferences, matches and launches.
Event traffic lands on a page ready for the moment it starts.
Site search across titles, people and genres that copes with Arabic spelling variants and transliterated names, plus filters by language, year and category. Related title rails on every page keep a viewer moving to the next thing.
Viewers find a title even when they spell it three ways.
Video served through a CDN with points of presence near the UAE, page shells cached at the edge, and load tested before big premieres. Core Web Vitals are measured on catalogue pages, which are usually the heaviest because of artwork.
The site stays quick on the night everyone turns up.
Play starts, completion, drop off points and search terms tracked with consent, reported by title and language. Data flows into GA4 or your own warehouse so programming decisions use real viewing rather than page views.
You know what people actually watch to the end.
Pages for sponsors and media buyers with audience profiles you supply, ad formats on offer and a contact route, plus a press room with stills, trailers and release notes that journalists can download without asking.
Commercial and press enquiries reach the right person.
Who this is for
Clients who ask us for custom video streaming website development Dubai based usually arrive with one of four situations. The technology underneath is similar, but the front page, the metadata effort and the commercial pages differ a lot. A studio with a decade of archive needs a cataloguing plan; a conference organiser needs a page that works brilliantly for three days a year. We start from what you hold and how your viewers find it. Each of the four cases below changes what we build first and what can wait for a second release.
You have linear schedules and a back catalogue on tapes, drives or an old video platform. We plan the metadata import, map programmes into series and seasons, and design a front page that mixes catch up with archive. Editors keep publishing at the pace they already work, and old URLs from your current site redirect to the matching title pages.
Metadata cleanup is often the largest task.
Companies in Dubai Media City, Dubai Studio City or Dubai Production City often want a branded viewing site for originals and showreels, partly for audiences and partly for commissioners. We build title pages that work as pitch material too, with festival credits you provide and private screening links for buyers. Credits pages link crew and cast across titles, which also helps those names appear in search.
Your traffic arrives in bursts around fixtures, summits and exhibitions. The site needs live pages that hold up under load, replays published within hours and sponsor placements on the pages that get seen. We test capacity before the event and keep an engineer on call during it when you need that. Highlights are clipped and published as separate pages so each moment can be shared.
Capacity is tested before the date, not on it.
Lecture series, Quran recitation, Islamic studies or professional training need careful categorisation, accurate Arabic, transcripts for accessibility and search, and a calm interface. Content approval often involves scholars or academic staff, so we build a review step into the CMS before anything goes live. Long lectures get chapter markers so a student can jump straight to the topic they need.
How we work together
Most media owners begin with a fixed scope build of the site and web player, priced against a clear page and feature list. After launch, many keep a monthly plan for new templates, event pages and SEO. Groups with apps, a paywall and internal tools in the same programme sometimes take a dedicated team. Our 80+ people work across Dubai, Riyadh and Karachi, so Dubai clients meet us face to face for workshops and reviews.
Every route starts with the same written scope, and you keep access to the staging site throughout, so you can watch real titles play long before launch day.
A defined build with a deadline
We agree what the product has to do, write it down with a price and a date, and build exactly that. Changes are priced before they are made, not discovered on the invoice.
A product that keeps evolving
Named engineers who work your hours, join your standups and stay on the codebase. You direct the backlog; we own the quality of what ships.
Something live that needs looking after
A monthly block of hours for improvements, fixes and the small requests that otherwise wait months. Unused hours carry for a quarter.
Technology
Typically a Next.js front end for server rendered title pages, a headless CMS for metadata, and a video provider such as Mux, AWS Elemental or Bitmovin feeding an HLS player. The final choice depends on your DRM needs, library size, expected live audience and who maintains the platform afterwards.
01Web
02Commerce
03Data and cloud
04Marketing and tracking
It depends mainly on library size, metadata quality and rights rules.
A site launching with a curated set of titles and clean metadata moves quickly. Thousands of archive programmes, missing artwork, several subtitle languages, DRM and territorial restrictions all add time, and the metadata cleanup usually takes longer than the code. We agree the schedule after the discovery workshop in Dubai, once the library audit is done, and share it in writing before design starts. If a premiere date is fixed, we plan a first release around it and leave archive titles for a later phase.
Schedule a free consultation and get a written recommendation, with costs, before you commit to anything.
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